Design for every place
your business shows up
Every piece is a promise, design is how people hear it.
Graphic design starts the same way product work does: with questions about what the business is really selling, who it is talking to, and what its current materials are saying. The work covers the full range, from advertising and campaigns, print and packaging, presentations, social and email, to illustration, event stationery, and brand identity when a business needs one, treated as part of the experience rather than decoration, so whether the goal is growth, a new product launch, or getting a startup to market, every piece reinforces what the brand stands for.
What is offered
Everything a business needs to look its best.
Brand identity
When a business needs one: marks, type, and color that work everywhere, with simple guidelines the team can follow.
Print and collateral
Posters, packaging, menus, signage, decks, editorial layouts, and event materials, prepped to press-ready specs with the paper, bleed, and ink decisions handled up front.
Digital and campaign
Social kits, ad sets, email templates, presentation systems, and landing page art direction that keep one voice across every place a customer runs into the brand.
Advertising
Print ads, billboards, digital banners, and full campaign rollouts, designed around one clear idea and sized for every placement.
Illustration and vector art
Custom illustrations, icons, maps, and fine art pieces that give a brand or product a look nobody else has.
Events and stationery
Invitations, programs, save-the-dates, and event signage, from weddings to conferences, with a consistent look from first mailer to last sign.
When to bring in graphic design
The moments good design pays for itself.
Most brands do not break all at once. They drift, one rushed file at a time, until nothing quite matches and every new piece takes twice as long to make.
- Your materials no longer look like they came from the same company.
- A campaign, event, or launch needs materials, and fast.
- Every new piece starts from scratch because there is no system.
- Your deck, website art, or social feed feels dated next to competitors.
- Print vendors keep sending files back for the wrong specs.
Five phases, and what lands in your hands
Every phase ends with something usable, not a status update. You see real work early and often.
- 01
Phase 01 · Week 1
Understand the goal
Conversations with the people who built the business, plus a look at everything already in the wild. What the piece needs to do, who it is for, where it will live, and what already exists to build on.
You get
- Discovery conversation
- Review of existing assets
- Clear creative brief
- 02
Phase 02 · Week 1-2
Explore directions
Two or three distinct visual directions, each with a reason behind it. Layout, type, color, imagery, and illustration shown in context rather than floating on a white board, so the choice is made on how it will actually be seen.
You get
- Moodboards and references
- Concept sketches and comps
- Type, color, and imagery exploration
- 03
Phase 03 · Week 2-4
Refine the design
The chosen direction gets polished through focused revision rounds: hierarchy, copy fit, color with accessible contrast, and details that hold up in print and on screen. Where it helps, it becomes a reusable system.
You get
- Final approved designs
- Color, type, and layout decisions
- Style notes or guidelines
- 04
Phase 04 · Ongoing
Extend it across pieces
The design carries across everything else: print, packaging, signage, decks, social, and anything else the brand has to show up on. Files are prepped correctly, with bleeds, spot colors, and specs the printer will not call about.
You get
- Print-ready collateral
- Packaging and signage layouts
- Templates the team can reuse
- 05
Phase 05 · Delivery
Hand off the files
Every file, organized and named, in the formats each vendor and platform expects. Nothing lives on one person's laptop, and nobody has to email asking for the vector version two years later.
You get
- Full source and export files
- Vendor and print specs
- Usage guide for the team
If any of this sounds familiar, it is already costing you money.
Who Design Is For
If any of this sounds familiar, it is
already costing you money.
- A brand that looks different in every deck, ad, and screen
- Logos, type, and color with no system, so nothing scales
- Print or advertising layouts that need real production-ready craft
- A logo never drawn for small sizes or a dark background
- Sales decks rebuilt from scratch by whoever needed one
- Trade show booths and signage that read from across a room
- Album art laid out for streaming thumbnails and vinyl alike
- Ad sets needing dozens of sizes without losing the idea
- Reports and catalogs where typography carries the whole thing
- Email and social templates a non-designer can fill in safely
- Illustration and infographics that explain what words can not
- Brand guidelines so agencies and new hires stop guessing
Which one sounds like you?
Tell me in a sentence and I will tell you what it is costing you.
Pick the shape that fits the project
Brand Identity,
Start To Finish
$5,000 / week
Weekly capacity
A full identity system: discovery, directions, the final mark, and guidelines that keep it consistent everywhere.
- Brand discovery and audit
- Two to three visual directions
- Logo suite, type, and color system
- Brand guidelines and source files
Collateral, Campaigns,
And Print
$125 / hour
For teams with a brand who need someone to keep producing at that level: print, packaging, signage, decks, and campaign work as it comes up.
- Hourly rate only, materials billed separately based on the project
- Print-ready files and vendor coordination
- Packaging, signage, and event materials
- Social and campaign kits
- Reusable templates for your team
